Examples of Pop Art Elementary Examples of Pop Art
Art Movement: Pop Art
"The Pop artists did images that everyone walking downward Broadway could recognize in a split 2d – comics, picnic tables, men's trousers, celebrities, shower curtains, refrigerators, Coke bottles – all the great modern things that the Abstract Expressionists tried then hard not to notice at all."
Andy Warhol
Pop Art definition: what is Popular Art?
The beginning definition of Pop Art was provided past British curator Lawrence Alloway, who invented the term 'Pop Fine art' in 1955 to depict a new form of art characterised by the imagery of consumerism, new media, and mass reproduction; in 1 word: popular culture. Through bold, elementary, everyday imagery, and vibrant block colours, Pop Art was one of the showtime fine art movements to narrow the dissever between commercial and fine arts.
Pop Art artists took inspiration from advertising, pulp magazines, billboards, movies, idiot box, comic strips, and shop windows for their humorous, witty and ironic works, which both can be seen as a celebration and a critique of popular culture. Just how did Pop Art sally, who were the fundamental players, and what were their artistic aims?
Key dates:1955-1965
Fundamental regions: Britain and U.s.a.
Key words:Popular culture, mass media, consumerism
Key artists:Andy Warhol, Roy Lochtenstein, Robert Rauschenberg, Claes Oldenburg, Richard Hamilton, David Hockney
Origins of Popular Art
Although generally associated with the United states of america, Pop Art found an early voice in Uk every bit a critical and ironic reflection on the postal service-War consumer culture of the tardily 1950s.
In 1952 Britain, in fact, a group of artists, writers, and critics which would come up to exist known every bit 'Independent Group' – or simply 'IG' – began to encounter regularly, driven past a common perception of a gap between the art and life of the time to discuss new theories and methods to incorporate in the creative practice those aspects of visual culture that weren't traditionally office of it but that had inevitably become elements of the everyday life, from production packaging to movie theatre celebrities.
The group's collective exhibition This Is Tomorrow, held at the Whitechapel Gallery in London in 1956, served as the key starting signal for Pop Fine art, providing an unprecedented example of integration betwixt art and modern life.
Parallel of Life and Art
Overseas, in those aforementioned years Pop Art emerged as a reaction against the dominant artistic movement, Abstruse Expressionism. Buckling the idea that art is the private expression of an artist's genius, Popular Fine art allowed artists to reintroduce fragments of reality into art through images and combinations of everyday objects.
Jasper Johns and Robert Rauschenberg were among the start artists in America to capture the ability of the ordinary, kick-starting the movement. The former explored the boundaries betwixt fine art and the everyday earth literally incorporating commonplace objects into painted canvas surfaces; the latter represented what he divers as "things the mind already knows", a choice of recurring concepts and popular imagery.
Key ideas behind Popular Art
It was English Pop Artist Richard Hamilton who, in 1957, listed the characteristics of Pop Art, "Pop Art is: Popular (designed for a mass audience), Transient (short-term solution), Expendable (hands forgotten), Low cost, Mass produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Large business organization."
Pop Art, fabricated of the aesthetic of the banal his signature, mirroring the times of mass-production and quick, banal entertainment, while also investigating the commodification of fame. Everyday objects like Campbell'south soup cans and pop culture celebrities like Marilyn Monroe were transformed into fine art and became icons of the movement.
The elements of multiplicity and reproduction – typical of mass-production culture – also reflected in artistic media and processes: while acrylic paints allowed artists to create bright, flat surfaces, the screen-printing technique produced boldly coloured images every bit repeated patterns subverting the idea of painting as a medium of originality.
British Pop Fine art v.s. American Popular Art
Although British Pop Art was greatly inspired by American pop culture, it was a rather playful and ironic exploration of what American popular imagery represented and how information technology manipulated people's lives and lifestyles.
To American artists, on the other hand, Pop Art meant a return to representation: hard edges, articulate forms and recognisable subject matter now reigned, contrasting with the loose brainchild and symbolism of the Abstract Expressionists.
Heavily influenced by commercial fine art practice, these artists were taking inspiration from what they saw and experienced straight. Not surprisingly, many had started their careers in commercial art. Andy Warhol was a magazine illustrator and graphic designer, Ed Ruscha was a graphic designer, and James Rosenquist started out as a billboard painter. Their backgrounds provided them with an first-class visual vocabulary of mass culture too as the technical skills to leap effortlessly between high art and popular civilisation and to merge the two worlds.
Famous Pop Fine art artists
Leading British Popular Art artists included Sir Peter Blake (b. 1932), Patrick Caulfield (1936-2006), Richard Hamilton (b. 1922), David Hockney (b. 1937), and Allen Jones (b. 1937).
In American fine art, famous exponents of Pop Fine art included Robert Rauschenberg (1925-2008), Jasper Johns (b. 1930), Roy Lichtenstein (1923-97) and Andy Warhol (1928-87). Other American exponents included Jim Dine (b. 1935), Robert Indiana (aka John Clark) (b. 1928), Ray Johnson (1927-95), Alex Katz (b. 1927), Claes Oldenburg (b. 1929), Ed Ruscha (b. 1937), James Rosenquist (b. 1933-2017), and Tom Wesselmann (b. 1931).
Iconic works of Pop Art
Richard Hamilton,Just What Is It That Makes Today's Homes Then Different, So Appealing?, 1956
Richard Hamilton'southward collage presents a living room space filled with objects and ideas that, according to Hamilton, were crowding into the mail-war consciousness. Drawing the viewer'southward attention is the effigy of a body-architect holding a giant lollipop with the word 'POP' scrawled on it. Not surprisingly, and so, this collage is oft referred to as the showtime example of Pop Fine art.
Andy Warhol,Marilyn Diptych, 1962
Warhol's fascination with popular civilization and fame led him to produce a peachy number of screen-prints depicting portraits of celebrities, experimenting with variations in colours and multiplication.
His Marilyn Diptych contains 50 images of Marilyn Monroe, one-half of which are painted in colour, the other one-half in black-and-white. The work was completed in the weeks post-obit the actress's decease.
Roy Lichtenstein,Whaam!, 1963
Roy Lichtenstein'sWhaam! is a large, two-canvas painting equanimous like a comic volume strip of a rocket explosion in the heaven. Lichtenstein was interested in portraying highly charged situations in this particularly discrete, calculated manner.
Keith Haring,Radiant Baby, 1982
In 1980s New York, Keith Haring turned the subway into his studio. Using chalk, he etched his signature designs onto the walls. One of these was hisRadiant Baby, which to him was one of the purest and near positive human experiences. It became a recurring visual idiom of Haring'due south throughout the years and is at present considered the artist's signature tag.
Robert Indiana,Honey, 1967
Born Robert Clark in Indiana, Robert Indiana took his native country'due south name when he moved to New York in 1954. This blazon of Pop-inspired fascination for the power of ordinary words was never more clear than in hisLOVEartworks. Indiana'southDearestis one of the most well-known images of Pop Art. It was originally conceived as a Christmas card for The Museum of Modern Art in 1965. Since then,LOVE has taken the shape of prints, paintings, sculptures, banners, rings, tapestries, and stamps.
Reception by the critics versus the public
While many academics and critics were appalled past the pop artists' utilise of mundane subject matter and by their apparently indiscriminate employment of it, Pop Art's more figurative and downward-to-globe imagery appealed to the general public and would soon get one of the nearly popular styles of art too as one of the first manifestations of postmodernism.
Collecting Pop Fine art
Pop Art succeeded in getting through to the general public in a way that few mod art movements did – or have done since – and art collectors similar it, too. For example, the painting "False Start" (1959) By Jasper Johns sold in 2006, for $80 million: the 9th nearly expensive work of art in history at that time. The piece of work "Green Car Crash" (1963) (synthetic polymer, silkscreen ink and acrylic on linen) past Andy Warhol sold at Christie'south, New York, in 2007, for $71.seven one thousand thousand, making it the 14th highest-priced work of art ever sold at that time. Not bad for a work of low-brow art.
Relevant sources to acquire more
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Source: https://magazine.artland.com/art-movement-pop-art/
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